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Volume orchestra

The sound forest family orchestra the pan-Hungarian folk music, folk dance and the affection of the folk culture invited it to a life in Budapest's 3. circumference in Aquincum. The parents do it since decades and the folklore is liked, they learned from their later parents while the younger generation began the getting acquainted with him with nine months before his birth to dance, to make music, what is perfected in Óbudai Népzenei Iskola currently.

The orchestra's aim Kárpátmedence kultúrkincsének the accompaniment of his increasingly deeper cognition, the keeping of his presentation, barn dances, dance groups.



Who likes the folk art, and would make people's acquaintances with pleasure the different regions singer, dancer, his musical traditions, we suggest that he should come into the barn dance with one loved for it, that biweekly Saturday we have an effect on evenings to organize in the congregation hall. The first occasion will be February on 7, we wait for everybody with love.

Abony family: Szilvia dance teaching, song

Sound forest orchestra: Attila: violin, viola, song

Blanka: zither, cello, drum, song

Flóra: flute, zither, song

The cassette player collaborates orchestra-, if the live music is some kind from a reason hindering yes.

We would like to contribute to the survival of our national-folk culture, it, that we yielded an occasion for learning the dances and folksongs, in the hope that a community, who selects this entertainment form with pleasure, takes shape. Than this until what a genre was community. My opinion the folk dance and the folksongs, ill. the instrumental music being attached to him for the soul of the Hungarian folk availing himself of the god in a harmony terméke-. The old ones did not need a psychologist because a god provided device in which all of their feelings may have been expressed to them, and it may have been digested hereby. Their grief, their joy may have been sung out in the entertainments, could dance out their poison, their jealousy, they may have courted their darling, their marriage, their friendships may have been cultivated.

They may have paid attention to each other: they made the time go by because it is necessary to devote time to the attention.

The dance develops our sense of rhythm, our motion coordination, our collaborative ability beside all this, stb.

Some quotations our leaders, the Hungarian dance védelmében-those who do not shrink back from the intellectual challenges of the dance:

Only the Hungarian dance the one that is never jára

For the good health nothing his harm,

With what moderated moving us,

He refreshes our mind, our body, our blood.

Only the Hungarian dance the one that is diszesbé makes it

The man and never onto vanity does not buy it,

Because if only onto a valiant manner got not dressed

And if his spur, ugly one does not have his spur, ugly one between the others.

Only the Hungarian dance the one that does not manage a merit,

That the best is equal with virgin modesty,

When the many foreigners are the wealthy in a dance

And the most gentlemanly catch largest mischievousness.-

My noble Hungarian dance! Who our ancient language

And you got along with our glorious nation with our dresses,

Who your European choosy residence

You did not suffer dirt until today on your beauty,

Your nobility gleams in an Asian colour,

And the manner one did not make you low yet:

Ím the exterior folk gaze at your ornament,

And property your nation does not respect you! (Csokonai Vitéz Mihály: Dorottya 1799)

I see ideal in the Hungarian music and a dance... our dances not two-three childish ones they are taking steps, than the current manner dances, which we learn inside one or two days,, and on the third alike, childish, was soulless get bored, but so aim proportion, that they learning him provided a thing to our whole youth, and aesthetiás (aesthetic) their natures darlings like that, that they turn into hobbies in us, and the friendship, affability will have instincts hereby. And we experience that the Hungarian friendship is running out with them because we forgot our own dances.- (Brazilwood Dániel 1830)

That the dance szintoly standing his part for the nation, than his any other habits, his language and his songs, and his game colour and his music, his clothing and his law: who denies it? These make the nation's stamp put together sajátjaikká, ones differing from other ones: the which one a nation does not manage these, it not nation, but only crowd, not on himself standing, the monkey of drawn other ones, his soulless imitator, you are his slave just.- (Garay János 1834)

You are busy, for Hungarians (mondá a Moor), and this it one you neglect it so, you could make a conquest of all of the world with him though. This ideal, fascinating Hungarian dance uniting all beautiful one and superb one alone. (...)

This was an ideal dance really. Fire and dignity, noble moves and a stately plastic surgery, strength and grace united in him, art, been born a profession was needed for him. Ah, who it now from the stage it is seen, they do not have a concept disappeared entirely though from it, from the gentlemanly halls. (...)

The stately dance step is a big benefit. Poor scholarly man, whose head is a whole library,, but it was not taught to dance, when he dresses in that Hungarian full dress (...), how trips over his own foot, how his neck, a back bends leaving the collar keeping far, how is tottering, how his intestine crashes into everybody, how his sinew trembles for the fact that they hiccough his knees, how forgets all that, which he knows,, how falls silent, stutters follies, when it is addressed, and all this because he failed his feet to shape. (Jókai Mór: And the land moves after all)

I like looking at it (bar my foot awkward)

Your serious-cheerful dance, my eastern race:

When he cries out in suitable hands

The violin and muses the zymbalon,

And sometimes the sorrow fátyola flutters

And the merriment rushes in a dance and on a song:

A life this dance, in which the song is a soul,:

Few joys, mixed with many griefs. (Arany János 1850)

The folklore did not serve his purpose with it, that the folk supplied his musical life. He has something to do with the life, the life of the mindnyájunk yet. The time comes yet when the educated layer may convey the tradition taken over from the folk to the national community again, turned into the nation for a folk.- (On Kodály Zolta)

The new era rapid one like that and radical, that- onto Noé manner we have to think it over, what we save through our ark the deluge sweeping everything away (crises of value) onto the number of an era (Sebő Ferenc:folk music reader 1994)

This movement it was over in 35 years - you are all vocational difficulty despite political hindrance - improved in an even beat, soon on the country's borders too expanded and became international. The barn dance movement's domestic and foreign country success with the tall development degree of the Hungarian folk music folk dance, with a living person's state (primarily in Transylvania), with the results of the scientific research and with the organizing of the special education based on these explicable, but the secret of the success mostly the folklores functional, for a view residing in his complex application due.

The chair barn dance got the model himself, nobody was able to teach the folk music and a dance at Hungary so, so that the motion began in 1972 onto a chair ... ten men ate repeatedly from it possibly in the years of sixty, later already a hundred, and if the free traffic is one-way rather was left over, the news came continuously because of that... the 1976 year brought the launch of a course like that in the barn dance's life, what was very serious already is two year one. We trained musicians and dancers... they came round to study here from Transylvania, but we called it them, that let them not come here frequently, since we go to study to the source, it was necessary to see it here, how the method works... Ott was the source, here the method, and it started this connecting it's working. The barn dance started up in Transylvania, already twenty of his years the two live together. A model that is not national took shape, and developed unbrokenly even under the political transformation.

Like this the barn dance - expressed one, not only the Hungarian nationalities, but for the humanity necessary, natural feeling, modern life philosophy - worldwide as an example szolgál(hat) it disappearingfélben being or who knows what transforming traditional cultures suitable, his elements which can be applied in the future the keeping alive. (Heap Béla)

The root of the development of the individual and community identity and his existence drives to the loss of your vein, the loss of which the personal identity is, from the consecrated world of the traditions.

The unnecessary, the dazzling one, though empty formality, the unimportant, the kitsch and snobbery on one of the sides, while the authentic culture insuring the existence harmony on the other one. The land and sky are the differences in a present case according to a word. In this theocracy without a today's god with increasingly fewer chances can be preserved and can be shaped the environment, the life, the man and humanity keeping and vital culture.- (Guóth Emil: Spirit of the age and csacrality c. study from the Protestant word-painters' anthology 2008)

Thank you for the attention: Wide Szilvia